Reflection

The ideas and concepts which imply in my methodology and work are the outcome of my experiences, observations, research and what I have learned through my academic & industrial career.

To any creative problem, the solution according to me comes out of research, research topic implementations in various field observe that and previous learning which build up strong concepts, analysis of the problem and a open minded approach to it.

Recently, it was LV’s spring summer 2013 show which showcased the use of geometrical shapes and organic shapes together. The total collection is based on shapes. The human body being organic shape because human body is natural shape is finely augmented with shapes. It is thus associated to my work and research on shapes.

The generation of new ideas can be done with a open mind, observing the trends, things and keeping the projections to consider.  Their evaluation is more of based on comparison with the various related entities of the respective concept.

This actually depends on the theme. In regards of the respective topic, previous research related to it, any ones work on it is taken into consideration for further research. That’s how we proceed further with our research according to our idea approach.

Planning, visualization and exploration are bonded together considering the possibilities, stage outcomes, possible implementations and prototypes. Further developments and ideas depend on the research. Whatever is outcome need to think according to research and the final product depends on industry demands.

The tools and formats are chosen according to topic, research, related books and journals on the basis of relevancy of materials to be used for the research & discussion with other people what they think, what is there observation say or which can be used.

Decision making on structures is the derivative of research, knowledge, observation and analysis. Decisions on delivery routes can be made with a careful observation, projections and a fresh mind. Wherever find the relevant information which will be helpful to delivery new thing but all things are dependable of research outcomes.

No work is ever finished. It is all a dynamic process of transformation. It actually depends if the outcomes are useful, then we will try to develop a product or outcomes with that information according to theme research & implementation with field, if it can be carried on to further but just with the condition of availability of relevant materials & industry or on your observations.

As mentioned previously that work never ends it is a thus dynamic process of transformation, it is therefore very natural any future work contains the reflections of the past the future work, would contain the extract of the best of current research project & work. The future project should be improve and smarter than the previous one & on all comparable bases.

Critical Analysis

Critical Analysis

Eicher Joanne b, Geczy Adam, Karaminas Vicki, (eds) (2012) Fashion & Art, Breg.

The only real elegance is in the mind; if you’ve got that, the rest really comes from it”, said Diana Vreeland a noted fashion columnist and editor.

The author Joanne B. Eicher presents a historical and lively trend of differences present in Fashion as part of body and Art. According to author the study of human being in relation to physical character, environment & social relation & culture point of view dressed body relates with art & fashion because body provides cadre for dress in fashion & art.  In painting, photography & sculpture in these visual art nude bodies in some culture viewed idealized & in fashion runways or in photographs body is covered but in western fashion (swimwear) coverage is minutest. In twenty-first century in  fashion cities runways collections  the meager apparel increasing .where fashion is not only wear clothing but it include more than clothing –accessories, painting, skin fragrant these creates the senses in fashion. For presenting body with cross-culture perspective compare art & fashion. Eicher define body, dress, fashion .Body: physical form of a human, Dress: Remodeling & supplements for on body, Fashion: Shared taste by many for short time. Variant phase of current taste on fashion is beyond body & dress in aspects of other things like food, automobiles & architecture. 

Making valid confessions the authors pokes into the history conveniently to validate his argument effusively with proper illustrations. When he talks about the women being depicted in white garments in profusely white smoke generated of sperms of whales, he tries to establish the basic identity of visual art which includes dress as an object to satisfy the canvas whereas fashion where the modifications are made to the dress in order to bring charm and beauty to the object that is the body.

Connecting fashion through how a body is structured and constituted seems a little non-compromising. Since a normal dress which might appear completely tight on a fit body might be visually not fitting and loose over a slim body. But the person with a fit body might comprehend the non-fashion of his attire on-the-other-hand the lean person might feel exuberant with his fashion statement. Sometimes mere body cannot surmise the essence of fashion as it ventures, fashion is also perception which changes from time to time, period to period, person to person and culture to culture.

Rather sticking to the notional concept of body and fashion would only restrict the mind to a narrow path of creativity. Understanding the virtues of fashion needs fathoming of cultures, religions, lifestyles, temperature and many more which the author fails to address during his comparison as these elements are an integral part of fashion which cannot be eluded.

Right from the beginning, assessing the body and dress individually but together as a unity skillfully transmitted the authors’ message with elegance and gives the reader a holistic picture. The way author manages to evade the differences through examples and explains the finer details is enriching and erases any ambiguities left. His explanation of importance of dress you wear appropriately to an environment and place is logically driven fashion statement rather than an obdurate vision.

The author elaborates the body, dress and fashion but keeps focus to the body, backing this with importance of body which is actually a stage or a platform where one carries his or he clothing, accessories and other enhancements. It is the body which enables to bring in the glamour and the style to a dress. Authors words suggest that an extraordinary emphasis is given to the element of body which has been taken as the base of an art, be it the clothing or a piercing.

The author puts forward a definition for dress which comes in very close association with a body implicitly. As per the definition of the dress, it has been realized as a lively thing which has the capability to communicate, without words, and more specifically, about the person who has it.

The space and time factors bring and explain the difference between the body in art and body in fashion, them being fixed in art, and dynamic in fashion.

The author puts forward the example from 1955 where Dovima wore a Christian Dior gown for a shoot in front of the circus elephants. The classic capture turned iconic and was taken by Metropolitan Museum of Art and Museum of Modern Art.

The author talks of Ingrid Loschek, who talks about the emphasis he gives to dimension of space in ‘When Clothes Become Fashion’. Ingrid emphasizes the dimension of space in defining the body as spatial form. It is further declared that skin represents the demarcation line between the inside and the outside.

Later, the author discusses the criticality of various aspects of the human body toward analyzing its relationship to a dress. This applies to both, the scenario of fashion as well as art, provided with a crossover point. That is what forms the color, conformation, the textures etc.  Similarly significant is the gender when taken in account with body form. After all, gender is important to the artist as well as designer from the point of view of interpretation.

Conclusion  

Different roles plays by human body in various aspects but body has a little non-compromising structured. The slender alleyway of creativity in body & fashion would only restrict mind. The element of body given by astonishing stress which has been considering the base of art be it clothing. Relationship with fashion & art scrutinize by body. From the point of view of interpretation sexual identity is important when talk about body to the artist & as well as for designer.

Shape in Trend

“Shapes” According to research fashion is designed for the human body and the human body is natural shape so whatever we design  its like one shape is transformed into another. But  in spring summer 2013 LV collection designer used the both the shapes geometrical & organic with different way. Even whatever we design in fashion this should be shape without shape fashion is nothing.so we used it,we using it & we have to use it for designing a fashion.

Organic Shape

http://musicfashionland.com/video-fashion-credits-nicki-minaj-freedom/

Organic shapes transformation in fashion with embellishment.If you see in picture its dividing in threeparts in first part if you see upper part of dress in inspired by organic shape but its uneven & cut work on it.In second part if you see the shape is like ameba & blue color is representing the water in color even through its shape.In third one shape of the garment is look like the standing grain crop & the emblishment is like insects shape. Designer did the whole transformation of shape & color in very prespective way.

Software Shapes

                                               http://vimeo.com/17253049#embed

http://devargas.com.es/computational-couture-d-dress/ 

How geometric 3D shapes can spawn in fashion with the assist of softwares & I think it's a way to obtain new shapes,introduce new silhouettes in fashion.

Organic Shapes Prints

http://idolmag.co.uk/sites/default/files/uploads/Yosef-Peretz-Tokyo-Collection-11-600x399_0.jpg

http://idolmag.co.uk/sites/default/files/uploads/Yosef-Peretz-Tokyo-Collection-41-600x399.jpg

 Organic Shapes use as prints in garments. Its provide a exclusivity & every garment creates its own & different signature style. 

Various Shapes & Styles

http://www.3lectromode.com/wp-content/uploads/2011/02/MauricioVelasquezPosada3.jpg

http://www.lanciatrendvisions.com/images/articoli/la-maglieria-diventa-scultura/LTVs---SANDRA-BACKLUND---03.jpg 

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7cB-BKeUg9MBhNhZb3h9YoaUIKloQYz7DB1F7RvYQZNngecIP_D9qVodW59FUTAYQ1YT0MTbdJWfu7kq9veWkO8cW7moPaN9y6UHoF4YII3LkD6-jh5X4vDUDQg-j-xCHgRIVEmGuldk/s1600/dg4.jpg 

In these pictures designer uses various 3-D shapes in different styles.This shows how shapes can be manoeuvred  in various ways with different medium.